Point Break (2015)

point_break

Warning:  Review contains spoilers for the movie.  You have been warned!

Point Break is a remake of a 1991 movie of the same name.  When it released it was met with generally negative reviews by critics.  While domestically it only made $28 million off of a $105 million, it made up the loss by grossing $133.7 million worldwide.  Despite hearing this, I wanted to see what this movie had to offer, almost entirely because of a crossover between the movie and the PC version of Payday 2.

Now I have not yet seen the 1991 version of the movie, so I don’t know how it compares to this one.  All I have to go on is what I saw while watching this movie.  I’m just going to judge this movie off of its own merits, not how worse or better it is than the previous version.

Point Break is a movie about an FBI agent candidate named Johnny Utah (Played by Luke Bracey), who believes a series of extreme sports related crimes are connected and the group behind them is attempting something known as the “Ozaki Eight.”  The Ozaki Eight involves performing eight extreme sports feats that push you to your limit, along with some acts that give back to the Earth.  In order to get evidence, he goes undercover, and is saved from drowning by a man named Bodhi (Edgar Ramirez), who happens to be the leader of the gang who are attempting the Ozaki Eight.  Utah joins with them as they attempt their next two tasks, where despite one member dying, he still manages to bond with the group.  However when the group tries to destroy a gold convoy as a means of “giving back,” Utah tells Bodhi he’s FBI and tries to get him not to do it.  Bodhi destroys it anyway and after a short chase scene Bodhi leaves Utah behind.

Since the FBI froze Bodhi’s sponsor’s assets, he and the group must rob a bank.  Utah and the police catch them, and the resulting shootout ends up killing two more members of the group, including Utah’s love interest.  This leaves one other member besides Bodhi left.  Utah figures out where the next ordeal will be, and heads there to intercept them.  All three of them end up rock climbing with no safety beside a waterfall, where the other member of the group ends up falling and dying.  With only Utah and Bodhi left, Utah thinks he has caught Bodhi, but Bodhi lets himself fall off the cliff and into the river, performing what should have been the final act of the Ozaki Eight.  Unfortunately, when Bodhi saved Utah from drowning, he had to abandon the Ozaki Eight task he was working on at that moment, which was “Life of Water,” or surfboarding an incredibly dangerous wave.

Seventeen months after the instance at the waterfall, Utah finds Bodhi in the middle of the ocean attempting to do “Life of Water” again.  He tries to get Bodhi to come with him and go to prison, but Bodhi says he has to finish the Ozaki Eight.  Utah lets him, and Bodhi rides into the wave and disappears, while Utah flies back to his life as an FBI agent.

Point Break wasn’t really what I was expecting.  I didn’t do that much research on it before watching it, so all I really knew going in was that it was a movie that had some heist action and extreme sports.  I assumed that the movie would mostly be robbery and heists with extreme sports sections sewn in, instead of the other way around.  The reason I assumed this was likely because of the aforementioned crossover between the movie and Payday 2.  Since Payday 2 is a game that focuses on heists and robberies, I assumed the movie would have the same focus.  The crossover between these two doesn’t really highlight the focus on extreme sports that the movie has.

I also felt like the relationship between Utah and Samsara was forced.  It doesn’t really feel like Samsara does anything other than be a love interest for the main character.  She’s given some backstory that’s mostly just her piggybacking off of Bodhi’s backstory, but other than that there’s not real reason for her to be in the group.  She doesn’t participate in the Ozaki Eight and she doesn’t help them with the “giving back” part.  The only things she does are hang out with the group, and when their assets are frozen, she helps with the heist (which really feels like just a way they used to kill her character off and not complicate further scenes).  Overall, Utah and Samsara’s relationship feels like an unneeded romantic subplot that was only in the movie because other action movies have unneeded romantic subplots.

I don’t really recommend you watch this movie.  While the stunts are really cool and visually amazing, the rest of the movie falls flat.  The plot is bare bones and just feels lazy, and the characters seem rather artificial.  The character of Bodhi was honestly the only one I was really even interested in.  If you’re really into extreme sports movies, and can forgive and bad and clichéd plot, then maybe there’s something here for you, but otherwise I suggest you pass.

Room (2015)

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Image taken from IMDb

Warning:  Review contains spoilers for the movie.  You have been warned!

“Room” is a 2015 Academy Award winning film based on a novel of the same name.  Upon its release it was met with rather positive reviews across multiple sites, and was a success at the box office making about $35.4 million off of a $13 million budget.

I don’t want to spend a lot of time talking about the story, so I’ll just try to say what I think is necessary for this review.  “Room” is the story of a five year old boy named Jack, who has lived his entire life living in a single 10×10 room with his mother, Joy.  After showing some of their daily lives inside of the room, which they refer to as “Room,” it is revealed that Joy had been kidnapped by a man who calls himself “Old Nick” 7 years ago, and she has been trapped inside of Room by him ever since.

A little later Joy and Jack trick Old Nick into thinking Jack is dead so that he’ll take him outside and Jack will have a chance to escape.  He does, and the police manage to find his mother and rescue her as well.  This marks the halfway point of the movie.  From this point on, the movie’s focus shifts towards Jack and Joy trying to live in the regular world after what they’ve been through.

Personally I really enjoyed Room.  Despite going in with somewhat high expectations after hearing other’s praise of the film along with the knowledge that it won Academy Awards, I was not disappointed.  I think one of the reasons that I enjoyed the movie so much is because of the actors and actresses.  Brie Larson did an excellent job portraying a mother who is barely able to keep it together due to the situation she’s in, and I even liked Jacob Trembley’s performance, as he did an amazing job for a child actor.

Another reason I believe I liked this movie was that the script was really nice.  Room provides an interesting scenario, and as the movie goes on, the mystery surrounding that scenario is slowly uncovered.  In the beginning of the movie, the viewer is much like Jack, and only knows of the world inside of Room.  Because of the way the movie is written, we are able to find out about the world right beside Jack.  The movie focuses more on Jack’s view of the world than anyone else’s, and I think that really aided the movie.  Jack, being a small child, tells the world as it is, or at least how he sees it.  It’s interesting to be able to hear Jack’s monologue as well, as we get a chance to see how Jack tries to make sense of everything going on around him.

The two halves of the movie also show two different sides of Jack and his view of the world.  The first half of the movie explores Jack and Joy’s life in Room, showing how they have come to adapt to this lifestyle that was forced upon them.  We learn about ways that Joy has hidden evidence of the outside world in order to protect Jack, which I found rather interesting.  The second half is more of an exploration into Jack’s discovery of the world outside of Room.  His entire life he had only known of what was in Room, and suddenly he was thrust into the rest of the world.  At first he’s rather standoffish and will only speak to Joy, but then after a while he begins to warm up to the world and his other family members.  The blending of Jack’s isolation from and discovery of the world is what really makes this movie memorable.

One last thing that I would like to talk about is Jack’s mom, Joy.  While Room’s main focus is on Jack, it also delves into Joy coming to terms with what happened it her.  Most of the time she is able to put on a brave face for Jack’s sake, but the move does she her crack from time to time.  Once they get out, she seems to be a bit better, but also struggling to move past her imprisonment.  At one point, an interview says something to her that absolutely destroys her, to the point where she attempts suicide.  Jack manages to call for help, so Joy manages to survive.  Later when she talks to Jack, she seems to really regret her actions and promises never to try to leave Jack again.  Joy’s character arc really shows how much thought and effort was put into this movie.

I would definitely recommend giving “Room” a shot.  If you’re in the mood for a good drama, and can handle some of the rather intense moments in it, then this movie has got you covered. “Room” will not leave you disappointed.

One week…

In one week I will be bringing this site back as a project over the summer.  I will continue to review movies, but I may not go as in depth with them as I did with the previous ones.  I plan on review one movie per week, and uploading the reviews on Wednesdays.  If this works out and I have the time, I may continue with this site once the summer is over.  I also have some other ideas for the site, but those will stay with me for now.  I look forward to the future of this site, and I hope you enjoy my revival review next week.

The Dark Half (1993)

The Dark Half movie poster
Image taken from Wikipedia

Introduction

“The Dark Half” is a 1993 production directed by horror movie legend George A. Romero and based on the novel by Stephen King. The novel was inspired by real events in Stephen King’s life. King used to work under a pseudonym, Richard Bachman, earlier in his career. Bachman’s books were more violent in nature that King’s books. Upon being revealed as Bachman, King wrote “The Dark Half” in response.

Though met with mixed to positive reviews on opening weekend, it was a box office bomb, making back only $10 million of its $15 million budget. It currently holds a 60% rating on the review website “Rotten Tomatos.”

Plot (Spoilers!)

WARNING! This movie contains graphic depictions of violence. If you are disturbed by these sort of images, or do not wish to see them, then do not watch this movie. I believe that you will be ok to read this review though, but exercise caution.

The film starts with a teenaged Thad Beaumont, who is a junior high school student who wishes to be a writer and spends many hours in his room writing violent stories. His mother buys him a typewriter for him to use. Beaumont soon begins to have terrible headaches and hears noises, particularly the sound of birds screeching. One day as he is waiting for the bus, Beaumont collapses and is taken to the hospital. The doctors X-ray him and notice some sort of “mass” in his brain. Assuming it is a tumor, they decide that Beaumont needs surgery. During surgery, it is revealed that the “mass” in his brain is actually an undeveloped fetus that he partially absorbed as a child. The fetus is removed, and one of the nurses runs out of the operating room, unable to handle it. As she is outside, she notices thousands of screeching birds flying around the hospital.

The movie skips forward several years to when Beaumont (Timothy Hutton) is an adult. He is a fairly successful writer who also teaches a fiction writing class at a university. He is married to a woman named Liz (Amy Madigan) and has two twin children. One day, after he has taught his class, a strange man named Fred Clawson, who is a reporter from New York, approaches him and asks him to sign a book by “George Stark.” After trying to say that he is not Stark, Clawson claims that he knows about how Beaumont has been knowing a pseudonym to write his violent thriller novels. He demands blackmail money once a month or he will tell the press. After going home and talking to Liz, Beaumont decides he will come clean and publicly reveal his pseudonym and show the press his lake house where he writes his novels as George Stark. As a joke, they also decide to make a grave for George Stark, even though no one will be in it.

A few days later, the gravedigger calls the police after he discovers a large hole at the George Stark grave. He claims it looks like someone dug itself out. Soon, all of the people who knew about Beaumont’s alias are savagely murdered by an unseen attacker. The photographer, Homer Gamache, is attacked by a hitchhiker and beaten to death with his own prosthetic leg. Sheriff Alan Pangborn calls Beaumont the next day, since he suspects him of being the killer because witness describe the suspect as similarly looking to him, and his fingerprints are found on the scene of the crime. Since Beaumont had an alibi for the time when the murder occurred, the sheriff doesn’t take him in.

Soon after, Beaumont’s headaches start to return. He hears about how Fred Clawson has been found dead in his apartment in New York City. The phrase, “The sparrows are flying again” is written in Clawson’s blood on the wall of his apartment. Beaumont is sure that his pseudonym, George Stark, has come to life and is killing everyone around Beaumont for “killing” him.

Next, “George Stark” breaks into the apartment of Miriam, Beaumont’s publicist. He forces her to call Beaumont and leaves him a message on his answering machine before killing her. Pangborn pays Beaumont another visit, and despite strong evidence saying that Beaumont did it, he still doesn’t arrest him.

“George Stark” goes after Mike Donaldson, the alcoholic reporter, next. He ambushes him in the hallway outside of his apartment and beats him to death. After each death, Stark calls Beaumont to inform him about the killings. Stark sneaks into the apartment of Beaumont’s publisher, Rick Cowley, and kills him along with the two officers protecting him. Stark calls Beaumont once again and tells him he will continue killing unless he starts writing under Stark’s name again. After the call, Stark notices that his body is decomposing, and he realizes if Beaumont doesn’t write with his name soon, he will fade away from existence.

Wanting to investigate Stark’s origins, Beaumont goes and sees the doctor who treated his “tumor.” The doctor tells him that the “tumor” was actually an undeveloped fetus. Stark sneaks in and kills the doctor and leaves before Beaumont notices. Beaumont finds the body of the doctor, and realizes that it looks like he committed the murder. Beaumont flees the scene and from the police. He gets a call from Stark, who claims to have kidnapped Liz and the twins, and threatens to kill them unless Beaumont begins writing again.

Beaumont speaks to a colleague named Reggie, who tells him that Stark’s embodiment is the result of Beaumont encouraging his “dark half” to help him write. She says that in order to kill him without killing himself, he must confront him. She also mentions that sparrows are the conduits and bringers of life and death. They can either help Beaumont, or kill him.

Beaumont goes to his lake house where he believes Beaumont is. Stark’s body is so decomposed that he has to wear bandages to keep his face intact. They both go into his office, and Stark forces Beaumont to begin writing a new book so he can live again. As Beaumont begin writing, he tells Stark to take over the writing, and attacks him while he is distracted. While they are fighting, Liz, who is tied up in the living room, notices millions of sparrows descending upon the house. Just when it seems that Stark is about to kill on of Beaumont’s children, Beaumont reveals that he doesn’t want Stark around anymore, and the sparrows break in and break apart every piece of Stark and carry him away (supposedly to Hell). Beaumont, Liz, and the twins are saved.

My Opinion

I’m not going to lie, I thought this movie would be a lot better than it actually was. I have been excited for about a month to see this movie, and it wasn’t all that great. Was it worth the watch? Yes, I would like to say that it’s worth the two hour investment. Would I watch it again? Probably not. I have to say that I expected more out of the amazing combination of the writing brilliance of Stephen King and the directing talent of George Romero. I just believed that I let myself get too excited for it, even though I knew it wasn’t all that great.

The acting in the movie isn’t too bad, though in my opinion the story gets a little crazy at the end, especially if you were like my and didn’t read the novel. The movie takes place in the mid-20th century, so it gives the movie a bit of an older feeling. It also uses the Stephen King trope of having every Stephen King novel/movie set in Maine. In fact, I only really had issues with one of the visual aspects. That was the fact that they used both CGI (Computer-generated imagery) birds, along with Cut-throat finches to represent sparrows in the movie. They seemed pretty convincing in the movie, I just thought it was interesting that they didn’t choose one or the other.

Conclusion

If you are interested in Stephen King novels, or just enjoy watching thriller or horror movies, then you will probably like this movie. It isn’t the worst Stephen King movie adaptation (That award goes to Maximum Overdrive). If you’re not a fan of Stephen King movies, then you won’t like this one. It does contain somewhat graphic depictions of violence, so keep that in mind if you are planning to watch it. Other than that, this movie isn’t that bad.

Planes, Trains, and Automobiles (1987)

Planes, Trains, and Automobiles movie poster
Image taken from Wikipedia

Introduction

“Planes, Trains, and Automobiles” is a 1987 comedy written, produced, and directed by John Hughes. This was a bit of a turn from Hughes’s other movies of the time, which mostly included teen angst films such as “The Breakfast Club” and “Ferris Bueller’s Day Off.” Upon release, the movie was met with critical acclaim. It grossed over $49,000,000 domestically, while having a budget of $30,000,000. It is still held in relatively high account today. Let’s see if there is any truth to all the praise of “Planes, Trains, and Automobiles.”

Plot (Spoilers!)

(I don’t plan on going into a lot of detail with this, since there isn’t a ton of plot to this movie. I’d rather leave some of the jokes to be found out, as I don’t think me explaining every single joke of this movie would do it justice.)

Neal Page (Steve Martin), a business man on a work trip to New York City, is trying to return to his family living in Chicago for Thanksgiving. Starting in the first five minutes of the movie, it’s clear that his journey is doomed when Del Griffith (John Candy), a traveling salesman, leaves his trunk on the side of the road and trips Neal. They eventually find each other again when they are waiting for the same plane. Once on the plane, instead of going to Chicago, they are diverted to Wichita due to a blizzard. The two decide to team up and travel on their own to Chicago, instead of waiting for the flight.

Before they can start their journey, they must first spend the night in a motel, where they are forced to share a room. After spending just a few hours together, Neal blows up and yells at Del and brutally insults him. Although it is somewhat justified, Neal deeply hurts Del’s feelings. Del tells Neal that he is an uptight cynic, and says that despite how Neal may feel, Del likes himself for who he is. This leaves Neal speechless, and he goes back to sleep. During the night they have their money stolen, which forces them to use their credit cards for the rest of the journey.

I want to leave at least some of the movie a secret, so I won’t fully explain most of their journey. Neal and Del try various ways to get back to Chicago, most of them failing. Neal and Del have their ups and downs, and tend to part ways, only to eventually find each other again. The movie continues this pattern until the final ten minute of the movie.

Neal and Del finally reach Chicago in the back of a refrigerated milk truck. Under the assumption that Del has a family of his own (he frequently mentions his wife Marie and puts a framed picture of her on his various motel nightstands), the two men part ways, supposedly for the last time. However, Neal later pieces together some of the things Del had said about Marie during the journey, and realizes that Del is alone for the holiday. He goes back to the train station where the two had earlier parted ways and sees Del sitting alone. Del tells Neal that Marie actually died eight years prior and that he no longer has a home of his own. Neal, feeling sorry for the man who went out of his way just to get him home for Thanksgiving and having himself become a nicer person during the journey, invites Del to enjoy Thanksgiving with his family. The film ends with Neal finally returning home to his wife, children, parents and in-laws, and introducing Del to the family.

My opinion (also includes spoilers)

I didn’t really like this movie. The last third of the movie was pretty good, but I wasn’t a huge fan of the first hour of it. This could be because I just don’t like this type of movie. I love to watch a good comedy, but I hate the kind of comedy where literally everything goes wrong for the main character (I like to call these movies “Murphy’s Movies”). It just makes me feel bad for them, not laugh. It also doesn’t seem very realistic, as it doesn’t seem possible for that many bad things to happen to a person that quickly. This is why I don’t really like movies such as slapstick comedies or 90s kids’ comedies where every bad guy gets hit in the nuts.

I also didn’t really like the main character, Neal. The movie felt like it wanted me to be sorry for him, like he doesn’t deserve the situation he’s in, and to an extent, that’s true. But he is just really unlikeable. I get that he has a right to be mad, but he just comes off as a real jerk. I explodes for no real reason, such as the scene where he yells at the car rental lady. Yes, he has a reason to be mad and yell, but it isn’t her fault. If he had been nice to her, he might have even been able to rent a different car. He just comes off as unnecessarily mean.

I also didn’t like his companion, Del. I also got the feeling like I should feel bad for him, but I really didn’t. He doesn’t seem mean, he just seems really annoying. It’s like he is purposefully trying to make other’s lives bad. Yeah, he does some good, but he can’t tell when he’s making others uncomfortable. He doesn’t really seem like he could be a real person. No living person could be that inconsiderate (although many do come close). I didn’t really care for him until the end. Even though it’s kind of obvious that his wife died, it’s still a bit sad.

One thing that I did like about this movie is the relationship between Neal and Del. In most movies with a pair of people who don’t get along, the movie has them tolerate each other in the first two thirds of the movie, and waits until the final third to have the huge, inevitable blowout. That isn’t the case in this movie. Neal and Del have their blowout in the first third of the movie. This comes off as a shock, and it leaves the viewer to wonder where their relationship is going to go from there. Are they going to separate or will they make amends? Obviously they make amends to an extent, but their relationship is pretty rough the entire trip. I just found it interesting that they didn’t follow the normal standard for this type of movie back then.

Conclusion

If you want to watch a Thanksgiving themed movie, or just enjoy a good slapstick style comedy, then I would recommend this movie. However, if you’re like me, and you don’t really like slapstick, then I would have to recommend that you stay away from this movie. I don’t think that it has a strong enough plot to justify watching it for the story. In fact the only thing other than the slapstick worth seeing in this movie is the relationship of Neal and Del. If you don’t enjoy either of these, then just find something else to watch.

Memento (2000)

Movie Poster for Memento
Image taken from IMDb

Introduction

Memento is a psychological thriller released in 2000 from the mind of Christopher Nolan, who also directed, produced, and wrote the newer Batman movies. The movie is based off of Nolan’s younger brother’s short story, “Memento Mori.” The movie has been praised for its amazing representation of anterograde amnesia, a type of short term memory loss. This movie won several awards, as well as put Christopher Nolan into the big league of movie directing. But what is it exactly that makes this movie so great?

Plot (may contain minor spoilers)

The movie is separated into two sequences. The first sequence is in black and white, and is played chronologically. The other sequence is in color and is plays the scenes in reverse chronological order. At the end of the film, the two sequences meet up, creating a single story. I’m not going to go into the story like I usually do, since I want everyone reading this to go see it for themselves, instead of just reading my synopsis of it. I’m only going to highlight the basic plot, so that you know what you’re getting into.

The story focuses on Leonard Shelby (Guy Pearce), a man who suffers from anterograde amnesia, or short term memory loss. He was injured in some accident, and since then he has been unable to make new memories (the specifics of the accident are revealed later in the plot). Leonard is searching for the man who killed his wife. The police do not think that his wife’s killer exists, so Shelby is forced to look for the killer himself. Leonard knows several things about the killer, such as his name being John (or possible James) G., or that he is still in town. Leonard remembers this and other information using a unique method of Polaroid pictures and tattoos.

One of Leonard’s only “friends” is a many that goes by “Teddy” (played by Joe Pantoliano). Leonard doesn’t fully trust Teddy, because on the back of his Polaroid picture of him, “Do not trust his lies” is written in pen. As the movie plays out, more information is given on him, and on other people that Leonard runs across.

One of the recurring motifs in this movie is Leonard’s story about a man named Sammy Jenkins. Sammy was a man that Leonard know earlier in his life, when he worked as an insurance investigator. Sammy also suffered from short term memory loss caused by an accident. Leonard based his method of note keeping off of the story of Sammy Jenkins. I won’t go into any more details about the story, as I want there to still be some mystery for when you watch it.

My Opinion

I loved this movie. This movie is currently on my top ten movies of all time, alongside Breakfast at Tiffany’s and One Flew Over the Cuckoo’s Nest. It has everything that you could ask for in a movie. There’s suspense, mystery, murder, romance, flashbacks, and one of the most shocking plot twists I have seen. The story may seem a bit confusing at first, but after about 30 minutes, all the pieces start falling in place and answering your questions, and then leaving you with twice as many as you had in the first place.

I love the use of reverse chronological order in this movie. In most other cases, it wouldn’t work, as the story might get too confusing, but it works for this movie. The blending of the Sammy Jenkins and Leonard Shelby stories works perfectly, especially at the end. This is one of those movies that you won’t instantly understand the movie. You will need a few minutes to gather your thoughts and put all of the pieces of the story together to form a conclusion. I have to say that this is one of the first logical, yet out of nowhere twists I’ve seen in a while, and I loved every second of it.

Conclusion

If this is your first time hearing about this movie, go see it. If you’ve seen a bit about this movie, but haven’t yet watched it, go see it. If you’ve already seen it, but want to go watch it again, then do it. This is a great example of how modern thrillers can try to not be terrible. This movie has convinced me to check out some of Nolan’s other works, including rewatching the newer Batman trilogy. Memento is a unique, amazing thriller that will be stuck inside your head for the next week after watching it, and possibly beyond that. I just hope that I can find a movie that can match it’s amazing storytelling.

Apologies

I’m sorry it has been so long since my last review, I’ve had a lot on my plate. I plan on making this up though, by releasing several reviews pretty close together. Keep an eye out for them, as the first one should be up tomorrow. Unfortunately the Thanksgiving special will come the day after Thanksgiving, but it doesn’t really matter too much. Thank you so much for your patience!

Nosferatu: Original Edition (1922)

Nosferatu movie poster
image taken from becuo.com

Introduction

Nosferatu is what can be called the “original” vampire movie. It was made in 1922 as a German Expressionist horror film, directed by F. W. Murnau. The film stars Max Schreck has Count Orlok. The film is an adaptation of Bram Stoker’s Dracula. Because the studio couldn’t get the rights to Dracula, they changed some of the names, like “vampire” being replaced with “Nosferatu”, and “Count Dracula” becoming “Count Orlok”. Stoker’s decedents sued over the adaptation, and the court ruled that all copies of the film to be destroyed. Despite this, one print managed to survive, and the film became one of the most influential pieces of cinema in history.

It is important to note that this is a silent film. As a result, all of the information and dialogue is given to us on inter-title cards that are shown periodically throughout the film. It also has an orchestra playing throughout the movie. Personally, I think that this helps set the mood, but if you think you would not like these, then I wouldn’t suggest watching this film.

Plot (Spoilers)

Please note: While the film is separated into five acts, I will review it as if it is one whole movie.

It begins with a man named Hutter picking flowers for his wife Ellen. After giving them to her, he leaves for work. As he is going to work, a passerby tells him, “Do not hurry, my young friend! Nobody can escape destiny.” An inter-title card reveals that Hutter’s employer is man named Knock. He has many rumors surrounding him, the only thing known for certain is that he pays well. Knock is reading a letter I his office covered in strange writing. He calls Hutter into his office and informs him that Count Orlok of Transylvania is looking to purchase a house in their small town. He tells Hutter he could make a lot of money, though it might require a bit of effort, and perhaps a bit of blood. Hutter examines a map of Europe while he considers the proposition, and Knock takes another look at the letter from the Count. After a moment a thought occurs to Knock, he suggests Hutter sell Orlok the nice deserted house opposite Hutter’s own home. Knock tells him to travel quickly to the country of ghosts. Both men laugh as the scene fades to black.

Hutter rushes home to inform his wife of the exciting news. Ellen is disappointed her husband is leaving, but he is anxious to begin his journey. Before he leaves, he takes his wife over to stay with friends of the family, a rich shipowner, named Harding, and his sister. Hutter kisses his wife to reassure her that he will be fine, then leaves for Transylvania. A title card tells us that Hutter travels many dusty roads to the Karpathen Mountains. He arrives at a tavern, still excited by his trip. He asks for dinner before he continues on to Count Orlok’s castle. Upon hearing this, the crowd in the tavern react with shock and fear. They tell him that he can’t continue due to the werewolf stalking the forests at night. A wolf like creature scares many horses into bolting into the wilderness, so Hutter stays the night at the inn. After being led to his room, Hutter closes the window and gets ready for bed. He notices a book sitting on his nightstand. It’s a book about vampires, ghosts, and sins. He reads a section on Nosferatu, terrible creatures that live in caves filled with soil from the fields of Black Death. Thinking nothing of it, Hutter goes to sleep. The next morning Hutter wakes up as shepherds are returning horses to their corrals. He again notices the book, but he still ignores it and continues on his journey.

After traveling all day by carriage, Hutter is yelling to the driver to hurry before the sun sets. The driver pulls over, telling Hutter he refuses to go any further, no matter how much Hutter offers to pay him. Undisturbed by the driver’s cowardice, Hutter takes his gear and continues on foot. A moment later another carriage arrives with a sinister looking driver. The driver says nothing, but motions for Hutter to get in. After a cautious moment, Hutter gets in, and the carriage heads back towards the castle. They soon arrive at a ruined castle, and the driver motions for Hutter to go inside. Hutter walks toward the castle when the door appears to open by itself. With a bit of apprehension, Hutter enters the castle. He is met by the same sinister figure, now revealed to be Count Orlok. Orlok informs him that he has waited too long, and all the servants have already gone to bed, so he leads Hutter inside himself.

A moment later the two men are sitting at a table. Hutter is eating as Orlok studies papers concerning his new real estate. Hutter is watching Orlok so intently that he accidentally cuts his thumb while slicing bread, drawing blood. Orlok reacts immediately, mentioning the blood. Hutter begins to back away in fear, when Orlok proposes the two spend some time together talking, as it is several hours until dawn and Orlok must sleep during the day. Hutter awakens the next morning to find the castle empty but a meal waiting for him. He takes a mirror out of his pocket and examines his neck where he can see two small marks. After breakfast he examines the castle grounds, stopping to write a letter to his wife Ellen. He tells her not to be mad that her love is away, and attributes the marks on his neck to mosquitoes. He flags down a passerby to deliver his letter. (Which seems a bit strange that there would be somebody passing by this castle, when the carriage driver earlier wouldn’t come near it)

That night Hutter is seen sitting with Count Orlok again. The Count is going over paperwork when he notices portrait of Hutter’s wife, which instantly catches his attention. He holds the picture, and remarks that she has such a beautiful neck. He then tells Hutter that he will buy the house that is across from Hutter’s. Later Hutter is in his room where he is reading more from the book. He reads an article concerning how the Nosferatu hunt and a warning to not let their shadow burden your sleep. His bedroom door opens by itself to reveal Orlok, who menacingly enters the room. As he does, Ellen begins sleepwalking back in their hometown. She wanders out onto her balcony where she almost falls off. When Orlok finally leaves Hutter, the door again moving on its own behind him, Ellen falls back to sleep.

The next morning, Hutter decides to investigate the horrors of the castle. He finds a coffin in the basement, and further investigation reveals Orlok sleeping inside. Hutter leaves the basement in a state of horror. That night he looks out his window to see Orlok loading a wagon with several coffins. After stacking the coffins he climbs into the last one, with the lid lifting onto the coffin by itself, before the carriage drives itself away. Hutter, worried about his wife, ties several sheets together in an effort to escape out his window. He falls from his makeshift rope before reaching the bottom, and is knocked unconscious. Orlok continues his journey down the river via raft, the raftsmen unaware of what is in the coffins. Hutter is found by a farmer and is brought to a hospital, where he is slowly recovering. Orlok’s coffins arrive at a seaport where they are being loaded onto a ship. The sailors are curious as the contents of the boxes, so the tip over to find nothing but soil and rats.

Professor Bulwer is presenting a lecture to his class about unusual predators in nature. He shows his class meat-eating plants, remarking how similar they are to vampires. Back in Wisborg, Knock has been admitted to an insane asylum. He attacks his doctor, yelling, “Blood is life!” He is soon knocked (haha get it?) unconscious, and the screen fades to black.

Ellen passes the time waiting for her husband sitting on the beach. One day, Harding and his sister bring her the letter Hutter wrote while at the castle. Ellen still longs for her husband. Hutter has recovered enough that he decides to head home. He is still visibly weak, but he can’t wait any longer. As he leaves for home, Orlok is traveling towards Wisborg via ship. Back in the asylum, Knock steals a newspaper from one of the guards where he reads an article about plague victims in the ports along the Black Sea. All the plague victims have strange marks on their neck, and Knock realizes his master is coming. On the ship where Orlok is, sailors are falling ill. The first mate and the captain come to check on their sickened crew, where the ghostly image of Orlok is watching him. Soon only the first mate and captain remain alive. As they heave another body overboard, the first mate decides to finish things once and for all, and takes a hatchet into the cargo hold. He begins to break up the boxes of soil, but as he does the lid lifts off of a coffin, and Orlok arises. Stricken with fear, the first mate drops his hatchet, runs to the top deck and throws himself overboard. The captain lashes himself to the wheel, but he is soon attacked and killed by Orlok. A title card exclaims the death ship has a new captain, implying that Orlok has taken control of the ship.

Hutter travels night and day to get home as quickly as possible. In Wisborg, Ellen is again sleepwalking, now speaking in her sleep, seemingly in anticipation of Orlok’s arrival. She says, “I have to go to him he is coming!” Knock also seems to sense the arrival of the ship, becoming anxious as Orlok gets closer. The ship docks itself and the door to the cargo hold opens. Orlok immerges, carrying one of his coffins. As Orlok makes his way through town with his coffin, Hutter arrives home where he and his wife greet each other enthusiastically.

Back at the dock Harding is investigating the ship, finding the dead captain and a log of the journey. He reads about how illness gradually killed the eight crewman. The captain wrote of a rat infestation and the possibility of a plague threat. Upon reading this, Harding tells everyone to return to their homes and keep their windows and doors closed. Later the town crier announces that plague victims must stay within their homes. White crosses mark the doors of plague victims as coffins are being carried out of several houses.

Hutter tells his wife not to read the horrible book he has brought back with him, but some force compels her to read it. He tries to comfort her, but they both sense the presence of Orlok watching them from his new home. Harding’s sister falls ill, and Ellen watches as a funeral procession is led by her house. This leads her to read from the book, where she reads that the only way to defeat the Nosferatu is if a sinless maiden gives her blood to it willingly, making it forget about the coming dawn until it is too late.

Meanwhile, the fear stricken town is searching for a scapegoat to blame for the plague, and they blame the recently escaped Knock. They chase him throughout the city, but he eludes them, mocking the townspeople from rooftops before running into the woods.

That night Ellen can sense Orlok watching her from his building. She opens the window, in a sense inviting him to her. She pretends to fall ill, telling Hutter to go get Bulwer, leaving her alone to face Orlok. Hutter rushes off, leaving Ellen alone in bed. She cowers in bed as the shadow of Orlok creeps ever closer to her, soon enveloping her completely. As Orlok sucks her blood he suddenly hears a rooster crow, and realizes that he has mistakenly stayed out until dawn. He rushes to leave, but as he crosses in front of the window he walks into the beams of the rising sun. He is instantly burned, vanishing in a puff of smoke. Knock, who has finally be captured and returned to the asylum, senses that his master is dead. Ellen is found by Hutter the next morning, the two embracing as the horror is finally over.

My opinion

Personally, I feel like this movie was ok. It wasn’t the greatest movie that I have ever seen, but there are many worse. I feel as this movie has become a bit dated. Many people, myself included, have been spoiled by modern horror media. This made me feel as if this movie was not scary at all. When it was first released, I’m sure it was a terrifying movie. But this would have been because the people who saw this movie had never seen a horror movie before, or if so very few. The most fighting form of horror media they would have been exposed to would have been Frankenstein by Mary Shelley. There is also the fact that the effects used in the movie are pretty bad. For the time, they were probably pretty frightening, but they just don’t hold up to today’s standards.

The silent movie aspect of it wasn’t that bad. It was a unique experience, and I’m glad I can say that I have now seen a silent movie. I don’t feel as if it took away from the mood of the movie, but rather added an eerie feeling to it. If you don’t like reading subtitles on movies today, then I can’t really suggest this to you, since it is a very similar experience. Overall, I can’t really say that I would suggest this movie, unless you like horror or vampire movies. If you not a huge fan of either of those, you would be better off watching a different movie.

Casablanca (1942)

Movie poster for Casablanca
Image courtesy of Wikipedia

Introduction

Casablanca is an Academy Award winning film directed by Michael Curtiz. It is based on the unproduced stage play, “Everybody Comes to Rick’s.” When it was first released in 1942, it served as an anti-Nazi movie, but later became known as one of the best drama/ romances of all time. It has influenced countless works, and will continue to do so in the future.

If you haven’t seen the movie before then I urge you to do so. It is a wonderful experience that a simple plot synopsis cannot give justice. If you do not feel as if you want to see this movie, then continue reading, but I hope you change your mind in the future. I will not cover everything in the plot, as I want to leave some things for people who want to watch the movie to find.

Plot

The film starts with a voiceover explaining that During World War 2, many Europeans wanted to escape to America. They would try to escape via Lisbon and Portugal. Getting to these places was not easy, and many refugees would go to Casablanca to try to find an exit visa so that they could escape to Portugal. Once the narrator finishes, the camera pans over the Casablanca marketplace.

Over the radio, the French police say that two German officers have been murdered on a train and the murderer is on his way to Casablanca. When a German officer, Major Strasser, arrives at the airport, her is greeted by the local French commander, Captain Louis Renault. Strasser inquires about the couriers, and Louis claims that the murderer will be at Rick’s that evening.

The next scene takes place at Rick’s Café Americain, a nightclub and casino. A man named Ugarte asks the owner, Rick Blaine (played by Humphrey Bogart), if he will hold some letters of transit for him. Rick tells him that the murdered German couriers had letters of transit on them, but accepts the letters and hides them on a piano played by his musician, Sam. Signor Ferrari, a rival bar owner, offers to buy Rick’s bar from him, but Rick denies him. Yvonne, Rick’s lover, tries to arrange for them to spend some time together, but Rick says no and sends her home. He runs into Louis, who tells him that they will arrest the murderer in his bar and tells him not to protect him. Rick claims, “I stick my neck out for nobody.” Louis also tells Rick that a man named Victor Laszlo, a famous Czech nationalist, will be coming to Casablanca, and advises Rick not to assist him either. As the conversation continues, it is said that Rick was involved in several anti-fascist wars in the 1930s. The conversation stops when Strasser arrives. Now that the German officer is there, Louis arrests the murderer of the couriers, Ugarte. Ugarte asks Rick for help, but Rick denies him.

Once things calm down, Victor Laszlo enters the bar with a woman named Ilsa (played by Ingrid Bergman). Strasser is hostile towards Laszlo, but Louis asks that Laszlo report to his office the next morning. Sam, the musician, recognizes Ilsa, and begins to talk to her. Ilsa requests that Sam play “As Time Goes By,” and Sam originally declines, but eventually plays it. Rick goes to Sam and tells him. “I thought I told you never to play-“, but is cut short when he notices Ilsa. Laszlo and Louis join them and have some drinks, which violates Rick’s rule of never drinking with customers. When Ilsa and Laszlo leave, Rick picks up the check, which violates another of his rules.

Later that evening, Rick is seen drinking alone in the closed bar. Sam starts playing for Rick, and Rick begins reminiscing. During a flashback, we see Rick in Paris with Ilsa by him. They are clearly in love, but do not question each other’s past. Hearing word that the German army is approaching Paris, they decide to escape via train later that day. At the train station, Rick waits, but doesn’t see Ilsa. Sam arrieves and gives Rick a note that is from Ilsa and says that she can never see him again. The flashback ends, and Ilsa is shown entering the bar. She wants to talk about what happened in Paris, but Rick is drunk and angry, so she just leaves.

The next day, Ilsa and Laszlo a shown going to Louis’s office, where Strasser tells Laszlo that he will never leave Casablanca alive. They go to another bar named The Blue Parrot, owned by Signor Ferrari, where they run into Rick. As Laszlo talks with Ferrari, Ilsa tells Rick that Laszlo is her husband and has been for several years, even when they were in Paris. Ferrari tells Laszlo he can get a visa for Ilsa, but not him. They decide to decline this offer. Ferrari suggests they speak to Rick, who Ferrari thinks has Ugarte’s letters of Transit.

That evening at Rick’s, Rick is seen violating another of his rules. He helps a Bulgarian woman who is trying to get an exit visa by helping her husband cheat at roulette. Later, Laszlo offers to buy the letters of transit from Rick, but Rick claims they aren’t for sale. When Laszlo asks why, Rick says, “Ask your wife.”

A group of German soldiers gathered around Sam’s piano, and are singing the German national anthem. Laszlo tells the band to play the French national anthem, which leads the other people at the bar to drowning out the German’s voices with their song. Strasser demands that Louis shuts down Rick’s. Louis closes Rick’s claiming that there is gambling taking place, even after he accepts his night’s winnings.

At their hotel, Laszlo asks Ilsa if there is anything she wants to tell him about Paris, and she says no. They reaffirm their love for each other, and then both leave. Victor goes to an underground resistance meeting, while Ilsa goes to Rick’s apartment to try to get the letters of transit. She asks that he put his personal feelings aside, but he still declines. Ilsa pulls a gun on Rick, but Rick dares her to shoot, but Ilsa cannot. She breaks down into tears and claims that she still loves Rick.

Ilsa explains what happened in Paris. After she had married Laszlo, he was put in a concentration camp. Months later, she heard that he was killed while escaping. She met Rick, and found out that Laszlo was alive just before she and Rick were going to leave Paris. She decided to stay, but didn’t tell rick because she knew that Rick would stay and get arrested. After her story, Ilsa claims she can’t leave Rick a second time, but asks that he help Laszlo escape. She cannot decide who she will go with, and tells Rick that he will have to decide for her.

Later, Laszlo asks Rick once again for the letters of transit, for Ilsa’s sake. Before Rick can answer, German soldiers burst in and arrest Laszlo. The next morning, Rick asks Louis to release Laszlo, claiming he will help him arrest Laszlo on a more serious charge, possession of the stolen letters of transit. Louis agrees, and they part ways. Rick sells his club to Ferrari, as he plans on leaving with Ilsa once Laszlo is arrested. During the evening, at Rick’s, Rick gives Laszlo the letters, and Louis attempts to arrest him. Rick pulls out a gun and points it to Louis. He tells Louis to call the airport and make sure that the flight will take off as planned. Louis obliges, but calls Strasser instead.

Once at the airport, Louis fills out the letters of transit for Mr. and Mrs. Victor Laszlo. Ilsa objects to this, but Rick claims that he decided that Laszlo should keep doing his work with Ilsa.

Laszlo and Ilsa board the plane. Strasser arrives and tries to phone the radio tower to stop the plane from taking off, but Rick shoots him. When the police arrive, Louis tells them to “Round up the usual suspects.” Louis praises Rick for becoming a patriot, and decides to become a patriot himself. They decide to escape to Brazzaville, a French colony in Africa. The movie closes with Rick proclaiming, “Louis, I think this is the beginning of a beautiful friendship.”

My Opinion

I thought this movie was absolutely wonderful. It had enough happening so that I was interested, but not so much happening that I didn’t know what was going on. It is a brilliant piece of cinematography, and it’s one that I wouldn’t mind watching in the future.

One of the things that I loved about this movie was all its memorable quotes. It has such amazing lines as, “Here’s looking at you kid,” and “We’ll always have Paris.” There is also my personal favorite, “Of all the gin joints, in all the towns, in all the world, she walks into mine.” This lines have been referenced in numerous other works, and will continue to do so for many years.

Even though the film was shot in black and white, as all films back then were, you can still tell that the cinematographer had and eye for detail. The way the camera is positioned so that Bergman’s face seems to light up makes the movie seem magical. This is something you just can’t talk about in a review. It is something you have to experience for yourself.

Conclusion

In retrospect, I am really glad that I saw this movie. Not only have I seen one of the most famous and influential movies of all time, but it lets me understand a lot of current media. Whenever a work makes a reference to this movie, I will now understand. It’s also great movie by itself. If you have not seen it, I urge you to spend the one hour and forty five minutes that it takes to watch this movie. You won’t regret it.

P.S. I’m so sorry for the delay guys! I have decided that I will only be posting 1 review a week, instead of 2. This is because I just simply don’t have the time for 2 reviews. If I do, I’ll try to post 2, but otherwise expect only one.

One Flew Over the Cuckoo’s Nest (1975)

Please note that this is my first review. Because of this, it may be somewhat different than my future reviews. This is because I am still experimenting with different writing styles and what I want to talk about. Also note that I believe that this review is significantly longer than what I have planned for my future ones. If you have any comments or suggestions, please tell me!

Introduction


Photo courtesy of Wikipedia

“One Flew Over the Cuckoo’s Nest” is an Academy Award winning film from the mind of Milos Forman based on the book by Ken Kesey. When it was released, it completely stormed the Academy Awards, being the second film in history to receive all five major awards (Best Picture, Best Actor in a Lead Role, Best Actress in a Lead Role, Best Director, and Best Screenplay). I saw this film a few months ago and instantly fell in love with it. Even though I never read the book (but will in the future), I still thought that this film was brilliant. Because I didn’t read the book, I may not be as knowledgeable as some people are about this movie. Regardless, I have decided to share my knowledge of the movie with you guys to hopefully persuade you to give this movie a chance.

Plot (WARNING: SPOILERS!!! (duh))

The story starts with a woman named Nurse Ratched walking through the ward of a mental hospital. She calls up the patients to get their medication while a phonograph plays a waltz. Then, a man named Randel Patrick McMurphy (often shortened to Patrick or McMurphy) enters. He is handcuffed and escorted by officers. When the asylum guards uncuff him to allow him in the asylum, he is ecstatic, literally bouncing with joy in his newfound freedom. Nurse Ratched initially ignores McMurphy as he proceeds to enter the ward.

Once on the ward, McMurphy introduces himself to Chief Bromden (shortened to the Chief), who is a large, mute, Native American patient at the ward. When this proves unsuccessful, McMurphy then introduces himself to Billy Bibbit, a mental patient with a stuttering problem and some mother issues. McMurphy interrupts the patients’ game they were playing, and leads one of them off with his set of pornographic playing cards.

McMurphy then has a meeting with Dr. Spivey, the doctor of the ward. The doctor discusses with McMurphy about his crime. McMurphy had committed batter and illegal gambling, and also apparently raped an under aged girl, and was sent to work at a prison work farm before being sent to the asylum. The doctor asks McMurphy if he is faking a mental illness to get out of the work at the prison, to which McMurphy replies that he believes there is nothing wrong with his mind.

After that scene, McMurphy attends his first group therapy session. When the session breaks out in shouting, Nurse Ratched remains calm. Later, she watches disapprovingly as McMurphy tries to teach the Chief how to play basketball. McMurphy and Ratched later clash again, when McMurphy goes into the Nurses’ station to turn down the waltz music that plays when the patients take their medication. This causes a conflict since patients are not allowed inside the nurses’ station.

The McMurphy-Ratched conflict continues later when McMurphy requests that Ratched change the patients’ schedule to allow them to watch the World Series on the television. Ratched denies this request, saying that the change in the schedule would be too disruptive to the patients. She does however, agree to a vote. Only two patients besides McMurphy vote on his side, as the others are too scared of Ratched to oppose her. McMurphy later claims to the patients that he is going to use a marble plumbing fixture to break through the window bars so that he can watch the game at a bar. When he ultimately fails, he claims that at least he tried.

The next day, another vote is held to try to change the schedule. When every man in the therapy session raise their hands, Ratched informs them that the “chronics”, who are the more severe mental patients who have mostly lost grip with reality, also have a vote. McMurphy tries to get at least one of the chronics to raise their hands, but fails. Ratched then closes the meeting. Just after the meeting is closed, the Chief raises his hand in order to break the tie, but Ratched refuses as the meeting had already been adjourned. Despite her claims, McMurphy sits in front of the blank television and begins to call out the baseball game, like an announcer would, even though nothing is there. The other patients join him in cheering, and for once, Nurse Ratched loses control of her patients.

In a later scene, McMurphy uses the help of the Chief to climb over the hospital fence and hijack a bus to bring some of the patients on an outing. They go fishing with McMurphy’s girlfriend, Candy. While on the boat, McMurphy teaches Cheswick to drive the boat while the others fish.

When they get back to the hospital, Dr. Spivey calls a meeting for some of the orderlies. The doctor wants to send McMurphy back to the prison farm, but leaves the decision up to Nurse Ratched. She thinks that McMurphy should stay. When McMurphy later finds out about this, and figures out that they intend to keep him in the hospital for longer than his prison sentence.

Nurse Ratched suspends the patients’ cigarette privileges, and begins rationing them out. She claims this is because of the gambling operation McMurphy had that was taking away the other patients cigarettes. One of the patients, Cheswick, then begins yelling in anger, so McMurphy breaks into the Nurse’s station and retrieves cigarettes for Cheswick. McMurphy begins fighting with one of the attendants, only to have the Chief come to his defense.

Nurse Ratched then sends McMurphy and the Chief to electroshock therapy. While they wait, McMurphy offers the Chief a stick of gum, and the Chief thanks him, revealing that he is not really deaf. The night after they return from therapy, McMurphy confesses to the Chief that he plans on escaping the asylum.

McMurphy bribes one of the guards so that the patients can have a party. During the party, McMurphy takes the keys from the drunk orderly, and says goodbye to the men. Before leaving, McMurphy arranges for Billy to have sex with Candy, which delays his escape. All of the patients, including McMurphy and the Chief, pass out, only to be awoken the next morning by Nurse Ratched. She finds the ward completely trashed, and Billy Bibbit naked in bed with Candy. Ratched claims she will tell Billy’s mother, which fills him with shame. She sends him away, and while distracted, McMurphy tries to escape. One of the Nurses screams, interrupting the escape. It turns out that Billy Bibbit had committed suicide. McMurphy is filled with rage, and attacks Nurse Ratched. One of the attendants punches McMurphy to get him off of Ratched, while she is lying on the ground, gasping for air. The guards then take away McMurphy.

The Chief waits for McMurphy to return. When he does, the Chief notices that McMurphy has changed. It turns out that McMurphy had been lobotomized, leaving him a vegetable. The Chief claims that he will take McMurphy with him, and then smothers McMurphy with a pillow. The Chief then takes the marble plumbing fixture and throws it through the window, and proceeds to escape into the sunrise.

Critical Analysis

In almost every single story there is, you can find symbolism. One Flew Over the Cuckoo’s Nest is no exception. The novel is absolutely full of symbolism, and the movie is no exception. First, one of the recurring motifs throughout the movie is oppression from authority. This can be seen in each of the three symbols I will be talking about today.

The first symbol I wish to discuss is keys. In the movie, keys represent a symbol of authority. The camera will often emphasize the fact that some characters are allowed to have keys, while others aren’t. The keys worn by the orderlies are used to ensure that the patients do not escape, and are kept close to their owners. The only reason McMurphy was able to get the patients away from the hospital, was because the keys were left in the activity bus. The entire reason, or at least McMurphy’s reason, that the patients throw a party is to get the keys from the night guard. McMurphy wishes to use the keys to open the window and escape with Chief Bromden, but he fails and has to relinquish the keys to an orderly the next morning. For everyone else, keys symbolize authority, but for McMurphy, keys symbolize a means to freedom.

The second symbol I wish to talk about is cigarettes. In this film, cigarettes represent freedom. Inside the asylum walls, cigarettes serve as gambling chips to the patients, with each cigarette worth ten cents. Because of this, cigarettes become a form of currency among the patients. These cigarettes give the patients a sense of freedom. Nurse Ratched, representing authority, doesn’t like this, so she confiscates them and begins rationing them out to the patients and blaming it on McMurphy. Cheswick begins yelling that he is not a child and he does not want his cigarettes doled out to him like cookies. McMurphy once again defies authority by smashing the glass to the nurses’ station, and gives some cigarettes to Cheswick. Cigarettes give the patients a sense of free will, like they are in control of their own life, even if they aren’t really.

The final symbol I wish to mention is McMurphy’s pornographic playing cards. If you were like me the first time you watched this film, you might not have even noticed that the playing cards were pornographic. Nevertheless, they are still a symbol of rebellion against authority. McMurphy uses them to lure the other patients to follow him. He uses this to gain control over them, and to undermine the figures of authority. In the group therapy sessions, McMurphy can often be seen defiantly shuffling the cards, especially when Nurse Ratched is speaking. He also uses them during his evaluation with the doctors. When they ask him if he has any questions, McMurphy shows the doctors one of the cards. This shows that McMurphy does not care that they are in control over him, and he is not scared to tell it to their faces.

Casting

The casting of this movie is one of the most interesting things in the movie. It is as if everyone in the cast was drawn there by fate. Three other actors were chosen to play McMurphy before the role was ultimately given to Jack Nicholson. Jack is also a strange choice, since in the book, McMurphy was supposed to be Irish and have red hair, which Nicholson doesn’t have, but he still has the right amount of madness in him to play the part amazingly.

Louise Fletcher was also not the first choice for Nurse Ratched. She was only chosen 1 week before filming started. She had applied several times for the part, but the director told her she just wasn’t approaching the part right. Her persistence allowed for her to play the role of the “evil” Nurse Ratched. One of the other actresses who was considered before Fletcher was Audrey Hepburn. Personally, I consider this a rather… odd choice. I love Audrey, but she doesn’t seem like she would be a very good “antagonist” of the movie.

The only reason that Will Sampson was chosen to play Chief Bromden is because he was the only person the Casting Department could find that was both Native American and matched the character’s large size. He was a park ranger in a park near where the movie was filmed.

While this bit isn’t technically about the cast, I still want to talk about it. The author of the book, Ken Kesey, actually hates this movie. He despises how the director changed the perspective of the book, as the book is told from the view of Chief Bromden. He hated it so much that he refused to see it once it was released. He also claimed that he was watching television one time, and not knowing what he was watching, proceeded to watch it for a few minutes. Once he figured out what he was watching, he switched channels.

Most of the other cast members do not have as interesting stories as these. But it is worthy to note that many of the background characters were actual mental patients at the asylum where filming took place.

Conclusion

Overall, I found this movie to be rather enjoyable. It might be a little strange if you have never read the book, but I would still recommend it whether you have read it or not. The cast has chemistry, the performance seems authentic, and it follows the story rather well (in my opinion). I’d say that this movie is well worth the two hours and fifteen minutes it takes to watch.

Question for discussion in comments:

Do you feel as if Nurse Ratched is an evil character, or just someone who is doing their job?